Faust's Two Natures
Goethe’s Faust embodies the dialectic between earthly existence and the divine—a struggle that is, at its heart, mathematical and ontological. In the tradition of ontological mathematics (as advanced by Leibniz and modernized by Mike Hockney), all is concept: the intellect, or monadic mind, is primary, capable of generating and knowing itself without the need for any percept. Percept—what we call direct experience or sensation—is a second-degree concept: a local, instantiated, or projected concept within the universal field of pure thought.
At the foundation of reality is the principle that all is nothing: every mathematical truth expresses a balance, a perfect equation to zero. All valid ontological states are combinations whose sum is zero; existence is necessary and sufficient, as simple as possible but not one bit simpler.
Importantly, this process is not a simple one-way ascent from matter to mind. All is waves: existence is a continual movement of peaks and troughs, descent and ascent, incarnation and transcendence. The mind descends into the world—becoming localized, embodied, and experiencing spacetime—yet, if it learns and reflects, it can build its own Bifröst and ascend again, leading both itself and other localized minds from Earth (the domain of percepts) to the heavens (the non-local domain of pure energy and thought). In this way, we immanentize the eschaton: the divine is brought into the world, and the world is elevated to the divine.